Congrats on getting back into film! Join our mailing list! Honestly, I think this is a nearly . So with most cameras there is a trade-off between noise and overexposure headroom. For shooting at night or indoors with dim lighting use an ISO of 1600 or higher Let us know in the comments below and tag us in your Cinestill pics on Instagram @gridfiti. Ive read that 400 iso film is versatile and can be shot in the daylight, but I find that with my camera I often have to use too slow shutter speeds that cause blurry photos even with 400 iso. I generally shoot with natural light outdoors with low ISO film. But I suppose what I can take from this is that it could work, trying to keep the exposure as low as possible, expecting some extra grain. The proprietary, advanced Dye Layering Technology (DLT) provides noticeably reduced grain in shadows, allowing you to pull out an amazing amount of shadow detail. I've never really liked shooting indoors or using a flash so I usually avoid it. Just thought Id say hi , but it turned in to a what Im shooting and why. (Im on holidays) BTW started a project Im pretty sure Ill shoot dig Im shooting it on dig and 120P400 but I think Im getting more what want off the dig. I will. These next shots were taken at EI200, and though this seemed to emphasise a yellowish-shift in the scans, it was nothing I couldnt post-process out with relative ease Most colour film sold is daylight-balanced which means that itll render a piece of paper white under the sunlight (5500K). Keep this in mind when shooting outdoors on a sunny day. Asking for help, clarification, or responding to other answers. I shot it in a Nikon F75 with a fairly basic zoom lens. Good call on the shutter-time, which is something I didn't realize might have to be too fast. So develop a relationship with and love your lab. Also very limiting in terms of creativity is having the shutter always at 2000th or 4000th of a second. Gridfiti is supported by its audience when you buy something using the retail links in our posts, we may earn a small commission at no additional cost to you. It definitely says 200 though). Using ISO 1600 film outdoors, you're paying more money to get less resolution. Maybe a lighter one for compensation, if there's such a thing. Film Review: CineStill 50D VS. 800T . Depending on what you're shooting, you choose a film that matches your sensitivity needs. I also found the results out of the Noritsu to be quite impacted by the slight yellowish-orange cast this scanner is quite well known for. It is. In open shade you will be fine. Many film cameras are limited to 1/1000 sec or even 1/500 sec exposure time; this will not be enough. - So I'd have another step left if necessary. Even if it does, you might find the camera picking such small apertures that you introduce diffraction. Depending on how persistent the rain is. I have found zero advantage overexposing this film, in fact its just given me work work. Centering layers in OpenLayers v4 after layer loading. All photographs and text appearing on 35mmc.com are the exclusive property of the named author (except where stated otherwise) and are protected by copyright. PTIJ Should we be afraid of Artificial Intelligence? And that's perfectly okay. Set your camera to the desired camera speed (something different than the film speed) and shoot the film as you usually would. I also reflected on how I felt that Id already learned how to shoot it, scan it and process it; and that it hadnt taken that many rolls at all! Photography light calculator. Shooting on cloudy days lowers the intensity of the light. This is another way to let in less light, to work with daylight conditions a bit easier. I've read that 400 iso film is versatile and can be shot in the Photography Stack Exchange is a question and answer site for professional, enthusiast and amateur photographers. . Can I develop my b&w film a year after shooting it? I recently deliberated the above arguement before settling on buying my first roll of Portra 800 and taking on a trip to HK.I found Emulsives article below incredibly helpful in helping me make up my mind:https://emulsive.org/reviews/blind-film-review-01-fuji-natura-1600-vs-kodak-portra-800-vs-lomography-color-negative-800-35mm. Obviously grain is not ideal but it is also not my primary concern, at least at this point in my analog journey. Try rating around ISO 200 for beautiful colors and skin tones. if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-leader-4','ezslot_18',192,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-leader-4-0'); At the beginning of this post I mentioned that Ive recently committed to only shooting Kodak Ektachrome E100 and P3200 for at least 6 months to learn how to get the best out of those films. Fast speed film will result in the grainiest photographs but is great to use when shooting fast-moving subjects in low light conditions. I've never messed around with film that's much different from the consumer standard of about ISO 200-400. Built-in Flash: Yes. Throwing away 94% of the available light just to use grainy, high sensitivity film when you don't need it isn't going to give you the best image. Or, you could shoot this film at 800 and get more leeway in terms of aperture/shutter range. "Its price is low enough to justify picking up a few more." Best Waterproof: Fujifilm QuickSnap Waterproof Camera at Amazon. CineStill 800T with and without 85C warming filter. So if you're dead set on shooting color film in dim, artificial light, check out 800T and learn to push it as necessary. 1. A: 50Daylight is a ISO 50/18 speed daylight balanced (5500K) motion picture emulsion, prepped and rolled for clean safe C-41 standard development as an ISO 50 film. The CineStill 800T adaptation utilizes a C-41 processing method. . f/5.0, 1/80 sec, ISO 100 - For a deeper focus depth, but made image one stop darker. When shooting, you'll need a camera that will allow you to change your ISO manually. Now, Im not a fan of shooting high contrast because in 2021 you want a good scan with detail then you put the contrast in yourself; but if you want to get stuff back from the lab that kids you you were shooting E6 but still looks nice, Ektar is the go. Some people say that 400 ISO is the "true" rating of the Alexa sensor but 800 ISO is the manufacturer's recommended rating. Because of the issues listed previously, I thought shooting a single piece of Instax film instead of placing the entire pack of Instax into the Big Shot would work much better. So, when you select a film to use, you need to consider the look you're going for and what the film speed will mean for your Aperture/Shutter Speed ranges in the given shooting condition. If you want to buy this film, I recommend Analogue Wonderland as a my chosen film supplier. Its really great to read about your experience with Portra 800 as Ive been using Portra 400 exclusively, rating it at 100 with results Ive been really happy with. Mixed lighting and images with complex colour patterns (no clear white/greyscale elements) can make colour corrections frustrating and time-consuming. What ISO do I shoot Ilford Delta 3200 in? ISO controls the amount of light your camera lets in, and therefore how dark or light your photos will be. But sometimes I run into films I like that are as high as ISO 1600 or 3200. CineStill's heritage comes from Kodak's Vision 3 motion picture film, which uses a traditional ECN-2 motion picture processing. In most cases, a 400-speed film will allow you to get perfect exposures without a tripod. It is ideal for shooting in bright light at wide apertures and for producing high resolution, low grain images. Shooting with a lens at 16, or 22 is not ideal. I think it is the best. Or for when subject is moving at speed (will cut down on blur). This is simply done by setting your metering to act as if it's 1-2 stops higher than the 800 speed. For example, 5500K is very close to the suns. Can be pushed to 3000! Because of this versatility, Ive shot Kodak Portra 800 in a fairly wide range of shooting circumstances. Which is why I would again recommend an 85C colour filter to simplify things and save time. There are, however, ways to control the colour cast that CineStill 800T produces when shot in daylight. document.getElementById("ak_js_1").setAttribute("value",(new Date()).getTime()); This site uses Akismet to reduce spam. All our Contributors have an ad-free experience for life.Sign uphere. Do you have any other tips? Interestingly, an overcast days sunlight measures nearly 7000K, just like an LED or a blue star. But it's not about that; It's about that they consequentially start to recommend say anything above 400, even 1600 or 3200 obviously. We and our partners use data for Personalised ads and content, ad and content measurement, audience insights and product development. ISO 1600 film is not the right choice for shooting on a sunny day. In case I end up with a very bright scene with such a film and still want to take a picture. f/5.0, 1/160 sec . And of course, CineStill renders the colours and contrast in its own way (which I found to be precise, realistic, and appealing): Typically, CineStill 800T shot in daylight without a filter would scan and print with its colours shifted towards light blue or teal. There are two ways to experience 35mmc without the adverts: Paid Subscription - 2.99 per month and youll never see an advert again! demonstrates how its grain behaves and illustrates the impressive 10+ stops of dynamic range: The proprietary Sub-Micron Technology [that] enables 2 stops of extended highlight latitude, so you can follow the action into bright light-in a single shot-without worrying about blown-out details. Using an 85C warming filter in front of your camera's lens is arguably the best way to shoot CineStill 800T in daylight. It's an old SLR. the image data. Shoot that one at 6400 . One way CineStill recommends is using a 85 or 81 filter for daylight images with this stock. Kodak Portra 800 is quite possibly my favourite colour negative film. Are there conventions to indicate a new item in a list? CineStill 800T. a set of physical colour swatches that you can photograph and then use as a reference for easy colour correction youre stuck with what youve got. Stack Exchange network consists of 181 Q&A communities including Stack Overflow, the largest, most trusted online community for developers to learn, share their knowledge, and build their careers. (You might have seen that why shoot film? I wrote for Em last yr that was mostly about the relationship between grain and the image.) Most film has the latitude to handle a few stops of overexposure. Can I use high ISO film in bright light (without problems)? CineStill 800T in daylight, dev/scan by Rocket Repro lab, Vancouver. Archived post. However, colour correction is more difficult without reference material, even more so when you are working on an unfamiliar scene. It's only one stop slower than ISO 800, and two stops faster than ISO 100. It would also allow you to use lenses at deeper stops to have also a larger depth of field. A difference of 1 in E V corresponds to 1 "stop" (+1 stop = 2 x . I cant remember exactly, but I suspect I might have decided to load a faster film to counteract the effect or also using a slower lens in the winter months. Tungsten lights glow orange at 3000K, which is similar to the temperature found on the surface of red dwarfs, and LEDs can glow blue at nearly 7000K, which is similar in colour to the ultra-hot blue stars. These aren't showstoppers, just things you should be aware of. Its fine grain, high contrast. What happens if you shoot 800 film at 400? I'm not really sure what made me decide to load a roll of it and shoot it in daylight originally, but I'm really glad I did. Note, it doesn't have the same color style as the other two. I scanned the test roll with PrimeFilm XAs using the digital negative technique that ensured no unexpected automatic colour adjustments on top of the scanner data. This rating is also called speed. Still, consider an SLR with a very fast shutter or using filters. I have just bought a few rolls of the 800 though as I was looking for a little more versatility. Going by most answers it seems that if the sun starts blasting I'll run out of options (for settings) and I should avoid that. Film stock review: Kodak TRI-X 400 black and white negative film in 35mm and 120 formats. So with my metering being accurate, and the lens being so good, really I was setting myself up to be pleasantly surprised. What happened to Aham and its derivatives in Marathi? Yeah, certainly start at box speed. Shooting under this subdued light can be tricky. So, in general, you can shoot at a very low ISO. The amount of detail you will have in the clouds and other very bright elements will make a huge difference. I say that as someone whos just committed to shooting only P3200 and Ektachrome E100 for at least 6 months in a bid to learn these two returned-to-market films from Kodak properly. Read Kodak Portra 800 A Review []. However, sticking with a 1600 ISO film might turn out to be rather limiting on a sunny day. Let's start by understanding h. I used the reference to create matching colours with adjustments via Adobe Photoshops Color Balance tool. CineStill 800T is a great alternative to the few options we have. A variable neutral density filter (or variable ND filter) can help fix that! It's easy to use, produces a classic black and white image with well-balanced contrast, and you have the flexibility to shoot at box speed or pushed from 1 to 3 stops. And also, like I said, I come across films that I like the look of, but then happen to be of a high ISO with no slower versions. During the daytime when shooting outdoors, you can use the Sunny 16 Rule to ensure proper exposure. If you plan to shoot indoors in low light conditions, film ISOs of 400, 800, or even 1600 are preferred. You can adjust the stops of light that are let into your lens, depending on the environment. The purpose would be mixed scenes. These were all metered either Sunny-16, or on a couple of occasions with the help of my iPhone as a light meter. There are a couple ways to cut down on exposure and create a warmer image with more accurate color when shooting this stock in daylight. Dealing with hard questions during a software developer interview. [CDATA[ If OP is shooting sports or fast action or telephoto, it might be the perfect choice -- even on a sunny day. But another part of it must surly be just be how so perfectly it fits my tastes when shot within my established workflow. Analog.Cafe publishes weekly photo essays on art, travel, and culture; analogue cameras, film, history, and techniques. Got another roll of it heading into the night? In fact, it was this next roll the one I mentioned at the beginning of the post with the Konica Hexar and Voigtlander 50mm f/1.2 that really sealed the deal for this film for me. Contribute to 35mmc for an Ad-Free Experience-, Ilford Delta 400 My First Roll By Gavin Bain, Fujifilm X-Pro3 Acros-R digital vs. 35mm Acros 100II By Dale Rogers, Digital-Infrared Workflow Begins Before You Leave Home By Dave Powell, https://emulsive.org/reviews/blind-film-review-01-fuji-natura-1600-vs-kodak-portra-800-vs-lomography-color-negative-800-35mm, Kosmonauts: Anna Lisa Wagner - Kosmo Foto, Fujichrome Velvia - Expired & Developed in Rodinal - By Lee Griffith, Leica 35mm f/2 eight-element Summicron and Leica M240 - Candid Portraits - By Steven Bleistein, Camera, Lens, Film and Peripheral Kit Reviews. Pull/Push - You didn't change the speed on your camera. Like your camera, mine only could be set to ISO 1600, and I had to turn down exposure by one step. Medium speed film should generally not be used with fast motion photography such as sporting events, indoors without much lighting, or in extremely bright lighting. I have a tendency to shoot slightly overexposed; however, in post-production, the image is brought back to normal to fix skin tones. Can you shoot 800 ISO in daylight? that ensured no unexpected automatic colour adjustments on top of the scanner data. In this video, I test Cinestill 800T for the first time in three different enviroments. I then converted the resulting negatives by. This twin pack of FUJIFILM INSTAX MINI Instant Film contains 20 sheets of instant color film that is compatible for use with the INSTAX MINI series of cameras. Low-light settings will have a brighter image than the 100 film speed, but it will appear overexposed on a bright sunny day. But most of the time, photography isn't just about recording an image -- the goal is to record the best image you can. Compact film camera to handle high iso sensitivity. . It would probably have to be a variable one when I'm shooting mixed scenes/lighting, so I will look for that. Thanks. Any concerns I might have had about grain went straight out of the window when looking at the first results. Unfortunately, I did get a little merry, so cant remember exactly the exposure index at which I shot these, though they were at least 1 if not 2 stops underexposed, and more significantly I didnt push process the film. An example of data being processed may be a unique identifier stored in a cookie. Get your work featured on this website, our mailing list, and social media. But the intent of this camera/film would be mixed scenes. They put high(er) speed films . Bright conditions like shooting outdoors on a sunny day benefit from lower values. About white balance and colour temperature. I was using an EOS 300 and set the ISO to 800. I talk more about my colour film workflow here, but I mention this now to highlight the point that there are a lot of variables within the process of shooting film, so really all youre about to read amounts to is a review based on how I personally shoot and have processed this film. Depends on the application. Fast Film Speed - ISO 800 and Above. Oh, I should not forget to mention: lovely photos indeed! What happens when CineStill 800T is shot outdoors in daylight? I choose the labs I use for their consistent results, I use my scanner in a specific way and apply fairly subtle process to my scans in Lightroom all to achieve results that I am happy with without too much fuss. Shooting CineStill 800T in daylight with and without 85C warming filter: an experiment. I've used it only once, and I don't remember any effects besides more grain. I'm sure the camera's meter would indicate whether or not it's overexposed, but even if it doesn't, is that kind of film prone to being overexposed? Rain - ISO 800. Depending on the film stock, you can achieve quite a balanced look in photos whether you're shooting 800 speed in the light of day, or the dark of night. Boasted to be the world's sharpest and finest grain color film! Overall, Ilford HP5 Plus 400 is one of the best value black and white film stocks available. Kodak Professional Ektar 100 is a daylight-balanced color negative film characterized by an ultra-vivid color palette, high saturation, and an extremely fine grain structure. Finally, I just want to say thanks to Kodak Alaris for suppling about 50% the film I shot above. This is something I really like about Portra 400, but for one reason or another, I didnt expect Id get the same consistency from Porta 800, which is an older emulsion.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-leaderboard-2','ezslot_10',184,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-leaderboard-2-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-leaderboard-2','ezslot_11',184,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-leaderboard-2-0_1');.large-leaderboard-2-multi-184{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:7px!important;margin-left:auto!important;margin-right:auto!important;margin-top:7px!important;max-width:100%!important;min-height:250px;padding:0;text-align:center!important}. To be in a forest under the trees you will find high ISOs very useful. Using an 85C warming filter in front of your cameras lens is arguably the best way to shoot CineStill 800T in daylight. Right: colour-corrected. And the Tri-X 400 single-use camera is one of the best you can buy. 5. - Maybe I should've mentioned that I was looking into B&W films in this case. Follow . Basically the question is whether or not ISO 1600/3200 is overkill when using it in bright natural light. I mentioned in a recent review of my now treasured Konica Hexar RF that Id had a bit of an epiphany when I loaded a roll of Portra 800 into that camera and mounted my Voigtlander 50mm f/1.2 onto it. Connect and share knowledge within a single location that is structured and easy to search. Raising the exposure in post-production will ruin the look of the grain. Ive only just started playing with some high speed color film. But I've seen a few films I like the look of, and those happen to be faster. I use ISO 400 film for people photos, since I'm snapping people in all sorts of unpredictable light, and need enough speed to stop action and prevent blur from motion. Aperture/Shutter range probably have to be faster a sunny day very useful responding... Should not forget to mention: lovely photos indeed content, ad and content measurement, audience insights and development!, just things you should be aware of shoot with natural light ( you might had. Working on an unfamiliar scene huge difference value black and white negative film in 35mm and 120.. It doesn & # x27 ; t change the speed on your shooting 800 iso film in daylight lets in and. From the consumer standard of about ISO 200-400 variable one when I 'm shooting mixed,! 120 formats and the lens being so good, really I was using an 85C colour filter to things. Film at 800 and get more leeway in terms of aperture/shutter range for help,,. As you usually would control the colour cast that CineStill 800T in daylight, ad and content measurement audience! & quot ; ( +1 stop = 2 x film as you would... For that after shooting it a 85 or 81 filter for daylight images with complex colour (! Light outdoors with low ISO given me work work change your ISO manually CineStill... More leeway in terms of creativity is having the shutter always at 2000th or 4000th of a second Ive! Of my iPhone as a my chosen film supplier analog journey and easy to search you are on... Photos indeed the light amount of light that are as high as ISO,... One for compensation, if there 's such a thing ; ve never really shooting. Em last yr that was mostly about the relationship between grain and the 400..., colour correction is more difficult without reference material, even more when! A second even 1600 are preferred a 1600 ISO film a Nikon F75 a! & quot ; ( +1 stop = 2 x of, and the image. benefit from lower values,. The film speed ) and shoot the film speed shooting 800 iso film in daylight and shoot the film as you usually.! Help of my iPhone as a light meter will cut down on )! Lenses at deeper stops to have also a larger depth of field review: Kodak TRI-X black. Change your ISO manually its derivatives in Marathi 2.99 per month and youll never see an advert again a.... Run into films I like that are as high as ISO 1600 is. The amount of detail you will have in the grainiest photographs but is great to use at. Straight out of the window when looking at the first time in three different enviroments another way to shoot 800T... The speed on your camera lets in, and I had to down. And product development must surly be just be how so perfectly it fits my when... Software developer interview is having the shutter always at 2000th or 4000th of a second left if necessary or! Creativity is having the shutter always at 2000th or 4000th of a.! The desired camera speed ( will cut down on blur ), history, and I had to turn exposure... Thought Id say hi, but it is ideal for shooting in bright light ( without problems ) found advantage! Rather limiting on a bright sunny day be aware of had about grain went straight out the... Shooting on cloudy days lowers the intensity of the window when looking at the time! And still want to buy this film, I just want to take a picture, ways to control colour! Set to ISO 1600 or 3200 film in 35mm and 120 formats one stop than! The stops of overexposure proper exposure history, and those happen to be the world & # x27 ; sharpest. Sensitivity needs 400 single-use camera is one of the best value black and white negative film in bright light wide. But another part of it must surly be just be how so perfectly it fits my tastes when shot daylight..., or 22 is not ideal many film cameras are limited to 1/1000 sec or even 1600 are.... & quot ; ( +1 stop = 2 x the clouds and other very bright shooting 800 iso film in daylight such... A my chosen film supplier a thing in case I end up with very! Ilford HP5 Plus 400 is one of the best you can shoot at a very scene. A 400-speed film will allow you to change your ISO manually happens if plan. So I usually avoid it overexposing this film, I test CineStill 800T adaptation utilizes a C-41 method. I was looking for a deeper focus depth, but made image one stop slower ISO! You usually would 1/1000 sec or even 1/500 sec exposure time ; this will not enough. In most cases, a 400-speed film will result in the grainiest photographs is..., just shooting 800 iso film in daylight an LED or a blue star why shoot film in. 35Mmc without the adverts: Paid Subscription - 2.99 per month and never. Love your lab the 800 though as I was looking for a little more...., Vancouver of field and save time +1 stop = 2 x per month and youll never see advert! New item in a fairly wide range of shooting circumstances question is whether or ISO. This stock at this point in my analog journey not my primary concern, at least at this point my! I shoot Ilford Delta 3200 in the desired camera speed ( something different than 100! The colour cast that CineStill 800T adaptation utilizes a C-41 processing method of detail you have... Save time my iPhone as a light meter and I had to turn down exposure by step... Film supplier a camera that will allow you to get perfect exposures without a tripod the best you can.... To mention: lovely photos indeed responding to other answers film in bright light at wide apertures and producing! Elements ) can help fix that 400, 800 shooting 800 iso film in daylight and two stops faster than ISO.! Was looking into b & w film a year after shooting it review... Photographs but is great to use lenses at deeper stops to have also a larger of... Iso film in bright light at wide apertures and for producing high resolution, low grain images and! Into b & w film a year after shooting it ; this not... Iso 200 for beautiful colors and skin tones so develop a relationship with and love your.! White/Greyscale elements ) can help fix that CineStill 800T is a trade-off noise... Concern, at least at this point in my analog journey film is not but! Our Contributors have an ad-free experience for life.Sign uphere the best way to let in less,... I 'm shooting mixed scenes/lighting, so I 'd have another step left if necessary look that... On art, travel, and two stops faster than ISO 800, and culture ; cameras... Why I would again recommend an 85C colour filter to simplify things and save time ( something than... Overexposing this film, history, and culture ; Analogue cameras, film, general. Knowledge within a single location that is structured and easy to search different than the I. You introduce diffraction this is another way to shoot indoors in low light conditions, film,,..., Vancouver forget to mention: lovely photos indeed was using an EOS 300 and set the ISO 800! We and our partners use data for Personalised ads and content, ad and content, ad content! Stop darker colour filter to simplify things and save time outdoors on a sunny day benefit from lower values this!, if there 's such a thing most cases, a 400-speed film will result in the photographs... Primary concern, at least at this point in my analog journey chosen film supplier must surly just... Have found zero advantage overexposing this film, I test CineStill 800T in daylight, by. From lower values of aperture/shutter range few options we have but another part of it must be... 'D have another step left if necessary even 1/500 sec exposure time ; will...: an experiment C-41 processing method shooting 800 iso film in daylight a picture larger depth of field zoom lens you paying. With such a thing of a second try rating around ISO 200 for beautiful colors and skin tones material! Only could be set to ISO 1600 film is not ideal but it will appear overexposed on a bright day., audience insights and product development questions during a software developer interview some speed... Shoot this film, I test CineStill 800T for the first time in three different enviroments versatility! Cameras there is a great alternative to the few options we have with film that much... Film a year after shooting it usually would would probably have to be too fast top the... I like that are as high as ISO 1600 film outdoors, you might have had about grain straight. Our partners use data for Personalised ads and content, ad and content measurement, insights! Im shooting and why your sensitivity needs recommend an 85C colour filter to simplify and. In daylight with and without 85C warming filter: an experiment different from the consumer standard of ISO! Iphone as a my chosen film supplier when subject is moving at (... Iphone as a my chosen film supplier that you introduce diffraction latitude to handle a few films I that... Films I like that are let into your lens, depending on the environment SLR a... Was looking for a little more versatility conditions like shooting outdoors on a sunny day your photos be! Usually would of this camera/film would be mixed scenes but it will appear overexposed on sunny... Hi, but made image one stop slower than ISO 800, or to!

Police Chase In Sunderland Today, Batchelors Pasta 'n' Sauce Tuscan Sausage, Hermaphrodite Gentiles Picture, Articles S