Sep 29, 2019 - Henrietta Maria by Van Dyck studio (Philip Mould). In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. [40][7], Filming for the fifth series started on 24 November 2015. Today. It was estimated at 4,000 - 6,000 but realised 8,750 (including buyer's premium). She is depicted in a red dress, wearing a coronet and holding a wheel representing the wheel used to torture St Catherine of Alexandria. Thomas Newport [c. 1655-1719, created 1st and last Baron Torrington in 1716], London, before 1716;[1] by inheritance to his third wife and widow, Anne, Lady Torrington [d. 1735, ne Anne Pierrepont], Newport House, Twickenham, and London;[2] by inheritance to her sister-in-law, Mary, Countess of Bradford [1661- 1737, ne Mary Wilbraham, widow of Richard Newport, 2nd earl of Bradford of the first creation], Weston Park, Shropshire;[3] by inheritance to her daughter, Diana, Countess of Mountrath [d. 1766, ne Lady Diana Newport, wife of Algernon Coote, 6th earl of Mountrath], 20-21 Grosvenor Square, London;[4] by inheritance to Caroline, Baroness Milton [1718- 1775, ne Lady Caroline Sackville, wife of Joseph Damer, later 1st earl of Dorchester], Milton Abbey, Dorset;[5] by inheritance to her son, George Damer, 2nd and last earl of Dorchester [1746-1808], Milton Abbey; by inheritance to his sister, Caroline Damer [1752-1829], Milton Abbey; by inheritance to her first cousin once-removed, John Dawson, 2nd earl of Portarlington [1781-1845], Milton Abbey; by inheritance to his nephew, Henry John Reuben Dawson-Damer, 3rd earl of Portarlington [1822-1889], Emo Park, Queens County, Ireland; by exchange 1881 to Thomas George Baring, 1st earl of Northbrook [1826-1904], Stratton Park, Hampshire; by inheritance to his son, Francis George Baring, 2nd earl of Northbrook [1850-1929], Stratton Park;[6] sold March 1927 to (Duveen Brothers, Inc., London, New York, and Paris);[7] sold May 1928 to William Randolph Hearst [1863-1951], San Simeon, California; on consignment 1938 with (M. Knoedler and Co., New York) by (Parish-Watson and Co., New York), for Hearst; returned 1939 to Hearst; (his sale, held at Gimbel's and Saks Fifth Avenue by Hammer Galleries, New York, 25 March 1941, no. was created by art dealer and historian Philip Mould, together with producer Simon Shaw. Destined for a leading patron of the arts in Baroque Rome, Van Dycks portrait was one of many diplomatic gifts that spread the artists fame and influence throughout Europe. The birth of the future Charles II followed soon after in May 1630. The team does not always succeed. Queen Henrietta Maria, Artist: It is accepted as genuine by the Wildenstein Institute. And working with art dealer Philip Mould has introduced me to a new world of intrigue. They also tracked down previous owners, including John Smith, a noted 19th-century connoisseur-dealer, who had detailed the picture, down to the colour of the dress, and noted its sale by Christie's in 1835 for 169 guineas. | Series 2 - 2. Fiona and Philip visit a local art dealer who had bought an unusual still life for 1 thirty years ago. Antiques Trade Gazette. [60] The ninth series, comprising four episodes, began on 26 July 2021. Lowry", "A Mystery Old Master, Series 4, Fake or Fortune? Not reported in the weekly top 15 programmes for four-screen viewer ratings. Despite layers of dirt, it was "still possible to see that we were dealing with a painting of potentially the very highest quality", said Mould. A counterpart to van Dyck's portrait of Princess Mary Henrietta (below, at #2), this portrait of the girl's older brother, 11-year-old Prince Charles II sold at Sotheby's in February 2018 . Nevertheless, Charles I, formed by his family, circle of male supporters, his consort, and his adventures at the Spanish Habsburg court, was pivotal in bequeathing an incomparable legacy to the history of the visual and decorative arts in Great Britain. Bequest of Mrs. Charles Wrightsman in honor of Annette de la Renta, 2019, Recent Acquisitions: A Selection, 20182020: Part I: Antiquity to the Late Eighteenth Century: The Metropolitan Museum of Art Bulletin, v.78, no. The Museum looks forward to receiving your comments. The third picture to be discovered over this 18-month period came to Mould's attention through the Public Catalogue Foundation's work in photographing all oil paintings in British public collections. 88. Since that piece's whereabouts are currently unknown, it is possible that the sculpture in this episode is the one that was initially owned by Woods. Henrieta, Henri", spent mo Mould, who will present a BBC1 series, Fake or Fortune, from June 19, plans to reveal some of his art sleuth secrets, such as how to "read" through dirt and discoloured varnish, and showing "the risks, the science and the processes" involved in searching for unidentified old masters. Paintings, Credit Line: Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded. 2019.141.10. Within days, the pair's detective work had unearthed crucial documentary evidence, including a 200-year-old scholarly study and a 1940s photograph taken by the Nazis which described the painting as a Van Dyck. The third, dismissed as a 19th-century copy, had been relegated to a storeroom of the Bowes Museum in Co Durham. She was born at the Palais du Louvre on 25 November 1609, but some historians give her a birthdate of 26 November. Two long, white feathers droop off the side of her wide brimmed, black hat. Queen Henrietta Maria with Sir Jeffrey Hudson, Read our full Open Access policy for images, Baring, Francis George, 2nd earl of Northbrook, Baring, Thomas George, 1st earl of Northbrook, Coote, Countess of Mountrath, Diana Newport, Damer, 2nd and last earl of Dorchester, George, Damer, Baroness Milton, Caroline Sackville, Dawson-Damer, 3rd earl of Portarlington, Henry John Reuben, Newport, Countess of Bradford, Mary Wilbraham, Newport, Lady Torrington, Anne Pierrepont. 174-1);[8] consigned 1952 by Hearst's estate to (M. Knoedler and Co., New York); sold September 1952 to the Samuel H. Kress Foundation, New York;[9] gift 1952 to NGA. When they saw the photograph, Mould and his colleague Bendor Grosvenor were "90% sure" it was by Van Dyck. 3 (Winter, 2021), Frans Francken the Younger, from "The Iconography". [9] M. Knoedler & Co. Records, accession number 2012.M.54, Research Library, Getty Research Institute, Los Angeles: Commission book no. The visit was intended to negotiate for the hand of the Spanish Infanta Maria Anna (sister of Philip IV) to help cement peace between the Catholics and Protestants. Van Dyck was one of the best portraitists in the history of art. [1] Since the first series aired in 2011, Fake or Fortune? Portrait of Henrietta Maria, three-quarter length, wearing a blue dress and holding flowers in her left hand, her right arm resting on a table on which lies a crown. is a BBC One documentary television series which examines the provenance and attribution of notable artworks. Van Dyck was born in Antwerp in 1599. In each episode Philip Mould and Fiona Bruce focus their attention on a painting (or a group of paintings), usually related to one particular artist. The Met Collection API is where all makers, creators, researchers, and dreamers can now connect to the most up-to-date data and images for more than 470,000 artworks in The Met collection. The programme airs on ABC in Australia. In Van Dyck, the royal couple and the English aristocracy found an artist whose gifts perfectly matched their artistic sensitivities as well as their political needs and aspirations. Ivory-white gloves reach back over his forearms, and the tops of his knee-high, fawn-brown boots are folded over. . His eye was caught by a picture catalogued as "After Van Dyck, Portrait of Olivia Porter". The portrait featured in the BBC TV programme, Fake or Fortune?. This portrait is based on Van Dyck's lost original of circa 1636. Now, as a rare Van Dyck child portrait, it is valued at 3.5m. Watch. Philip had sold another picture of Henrietta Maria where she's looking the same way. [72], Reviewing an episode of the seventh series, Michael Hogan of The Daily Telegraph wrote: "Arts programming is an increasingly endangered beast on prime time television. 1633. He has rounded cheeks, and his lips are parted in a slight smile. She was a loving grandmother to 15 grandchildren and 22 . Pinterest. As a first for the programme, radio carbon analysis (Carbon-14 dating) that took advantage of the sharp increase in radiocarbon from atmospheric nuclear testing was used to establish that the work was painted on a wooden panel from a tree felled before 1950, thus not disproving the possibility that the singer might have sold off paintings given to her by de Chirico. The painting then disappears from all subsequent inventories. Anthony van Dyck was one of the greatest Flemish painters of the 17th Century. London. In avaricious competition with Buckingham and Arundel, Hamilton amassed a huge collection of Italian Renaissance art which included works by Raphael and Correggio and the celebrated Venetian artists Giorgione, Anthony van Dyck, Queen Henrietta Maria, c. 1638, oil on canvas, 71.7 x 56.3 cm (Royal Collection Trust, Windsor Castle, Queens Drawing Room). It was estimated at 4,000 - 6,000 but realised 8,750 (including buyer's premium). She did not leave any paintings to her son, Henry, 7th earl of Mountrath. Full-length portraits, standing, full face, the Queen is wearing a large black hat and deep blue silk dress. [77] Its muted colours suggested it was not painted using oil. Philip Jonathan Clifford Mould OBE (born March 1960) is an English art dealer, London gallery owner, art historian, writer and broadcaster. Van Dyck infused his portraits of the king and queen, including this depiction of Queen Henrietta Maria at age 24, with a tenderness and warmth of expression that fully convey the ideals of peace and harmony that underlay their philosophy of divine right to rule. With the exception of the Romanelli painted for Cardinal Antonio Barberini, the following copies presumably were based on a replica that remained in England: This work may not be lent, by terms of its acquisition by The Metropolitan Museum of Art. Shop the collection Fiona Bruce stunned by 'lost' Gainsborough painting twist", "Philip Mould: Fake or Fortune? He possessed a ready wit and became one of the queen's trusted advisors, even joining her in exile in France in the early years of the English Civil Wars (16421651). returns to screens this month", "Trailer for 'Fake or Fortune?' Only a few years . Oil on canvas. [2] He has made a number of major art discoveries, including works of Thomas Gainsborough, Anthony Van Dyck and Thomas Lawrence . Henrietta Mary Wilmot, 83, of Glendale, passed away on January 21, 2019 in Glendale, AZ. She was born on April 3, 1935 to Frederick and Catherine Van Schaik in Chicago, IL. The images of the lot form part of the condition report for the lot. Any reference to condition in the condition report for the lot does not amount to a full description of condition. 4th St and Constitution Ave NW For this, we should be thankful. White fabric covers the front of her bodice under a tall, wide, stiff, lacy white collar that extends from her chin to her shoulders. Historical Portraits Picture Library. And, finally, there was James, 3rd marquess, later 1st duke of Hamilton, who served as the Master of the Horse and Gentleman of the Bedchamber to the king, both distinguished and powerful offices of the sovereigns household, which brought him into regular and close contact with Charles. "The sitter's expression alone tells us that this is not a portrait of a miniature adult, as one so often sees in the 17th century, but of a child. Van Dyck was influenced by Rubens passion for Italian art and in 1621 travelled to Italy to study the masters. The first episode was first shown on 27 December 2013 on Sweden's SVT, with episodes 2 and 3 shown in the following weeks. [7] See the letter of 10 March 1927 confirming receipt of payment for seven of the Northbrook paintings, including Queen Henrietta Maria, Sir Jeffrey Hudson and a Monkey, in the Duveen Brothers Records (box 269, folder 16, reel 124; accession number 960015, Research Library, The Getty Research Institute, Los Angeles; copy in NGA curatorial files, kindly supplied by Patricia Teter). [1] The early provenance for the painting as published in the Gallery's 2005 systematic catalogue, Flemish Paintings of the Seventeenth Century, by Arthur K. Wheelock, Jr., incorrectly traced the ownership from Richard Newport, 2nd earl of Bradford (1644-1723) through his heirs. |Batoni, Pompeo; George Oakley Aldrich (1721-1797); Bodleian Libraries; http://www.artuk.org/artworks/george-oakley-aldrich-17211797-259898, Oxford University's Student Newspaper. Enter or exit at7th Street, Constitution Avenue, or Madison Drive. cat., National Gallery of Art, Washington, D.C., 1990: 262, no. Various collectors and national institutions are lending paintings for the exhibition and these will sit alongside other masterpieces, including Van Dyck's last self-portrait and a Titian. Major C. E. Gubbins of the 3rd Hyderabad Cavalry Journal of the United Service Institution of India, Volumes 16-18 Henrietta Maria of France by Anthony van Dyck 17th-century oil portraits of women at half length 17th-century three-quarter view portrait paintings of women, facing right and looking right Non-topical/index: Uses of Wikidata Infobox Individual painting categories Like the first painting, it was covered in dirt and discoloured varnish. 2023 National Gallery of Art Notices Terms of Use Privacy Policy. They are introduced to Joy Lutenbacher, who recalls that her aunt, Joan Smith, witnessed Churchill paint the fountain and provides a signed photo of Churchill given to her aunt, dated October 1945. presenters 'in dispute' over new BBC show", Learn how and when to remove this template message, portrait of Queen Henrietta Maria, as St Catherine, East Anglian School of Painting and Drawing, Wooded landscape with gipsies round a camp fire, Georgiana Cavendish, Duchess of Devonshire, Paul Mellon Centre for Studies in British Art, "RTS West of England Awards 2016 | Royal Television Society", "It's a copy: Fake or Fortune? The painting was presumably bought in, as the painting was consigned to Knoedler's by Hearst's estate in 1952. The contents of the house were not to be inherited by any husband of Caroline, and therefore not by Joseph Damer, who died after his wife, in 1798. Learn more about our exhibitions, news, programs, and special offers. A year on, we are now showing it. 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